If you're making brush tips out of scanned images and want to get rid of the white background, you can change the 'Expression color' of the layer to 'Grayscale' (or Monochrome) and click the black box next to the drop-down menu to ensure only the black is visible. The same user also has a longer video on brush settings in MS5: I really wish I hadn't had to learn these basics the hard way. If you are new to MS5/CSP I highly recommend watching this short video before you begin experimenting with brushmaking: If you want to make your own brushes, please note that if you want your brush to repeat the colour you're painting with and not the colour the brush tip was made with then the Brush Tip needs to be created on a Grayscale/Monochrome Layer!
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I haven't bought his brush set but it looked good so feel free to give it a try. The video's a bit slow but it is thorough, so good for beginners. If you're just planning to use my brushes as they are, I recommend skipping this folder. I've included them mainly for those interested in making their own brushes. Some of them also lag, or don't repeat well outside a particular resolution, so be warned. Mostly they have the issue of the brusheads not having been created in grayscale and thus repeating the colour black instead of your palette colour unless one enables the mixing options. They have interesting effects to them even in their current state. I keep them around because some of them have a good idea for a brush and I keep meaning to remake them. These are some of my earliest attempts at brushmaking. The title says 'Unoptimised' for a reason. Simple leaf-like patterns, a bark-like pattern, and a couple of sponge-like brushes.
I avoided the scatter setting (Spraying effect) with these ones, again to keep them smooth and efficient.Īs a side note, when using spraying effects I recommend keeping the 'Particle size' option visible in your 'Tool property' window. The rest repeat their brush tip at various angles with some size variation to create interesting, organic patterns. These are my most recent brushes, all based on real, scanned ink strokes.Īll the 'Stroke' ones are ribbon brushes, so they handle well even at larger sizes. I tend to have it on to begin with, but since the Ink settings mix heavily, I sometimes switch it off for a few strokes to add new colour on top of existing colour, then back on again for blending. Since it uses the basic round brush tip it resist lag even at large sizes.Īll the brushes labelled as 'block and blend' are ones where I actively change the 'Mix ground color' setting off and on as I go. Simple Round is a great tool for filling in large areas or blocking out your basic colours. It's without a doubt one of my favourites. Play around with it, blend colours with it. Sketch Pen works well for sketching out lineart.ĭigi Brush 4 handles wonderfully for creating painterly colours. Good for a nice, variable line while inking, or for sketching, or for getting a thin, crisp line.
It's a hard, basic round brush which is very responsive to pressure sensitivity and slides smoothly from a very thin line to a nice, thick one. Most of them I use as-is, changing the size as I go, but not much else.Ĭel is based on one of my favourite Sai brushes.
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When you download and unzip the files, you'll be left with a folder containing four sub-folders. Though I've moved on to Clip Studio Paint, I've tested my newer brushes in Manga Studio 5 so they shouldn't give you trouble either way. There's quite a bit of overlap between them and some of the brushes already in this set, but I felt it's clearer to keep the folders as they are. These are the current brushes I use, the exact same set that's found in my more recent submission here. Added another folder called 'dw csp brushes'.